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    • Capturing “the image that we will never see twice”. The becoming-cinema of live-streaming

    Études digitales, 2023 – 2, n° 12 – La surveillance comme performance d’écran

    Issue edited by Olivier Aïm.

     

    “Capturing “the image we will never see twice”. The becoming-cinema of live-streaming”.

    Article co-written with Ariane Papillon.

     

    ABSTRACT – A media genealogy reveals a tension towards immediacy. This article focuses on the cinematographic reuse of audiovisual materials initially broadcast on live-streaming platforms. We will show how cinema reveal “the opacity of transparency” and to what extent the logic of capture breaks the performance of surveillance and sousveillance of the real-time images while perpetuating a logic of shareveillance.

     

    KEYWORDS – cinema, documentary, screencasting, capture, live-streaming, transparency, opacity, immediacy, sousveillance

     

     

     

     

     

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